Razorlight have catapulted to superstar status with their No. 1 single 'America'. As they prepare to wow Oxegen this weekend, we talk to mainman Johnny Borrell about cricket, saving the planet and dating Kirsten Dunst.
An extremely belated comeback from Paper Moon and Last Picture Show director Peter Bogdanovich, who had Hollywood at his feet about a quarter-century ago, The Cat’s Meow is a textbook case of over-reaching ambition. Eminently missable stuff.
An extremely belated comeback from Paper Moon and Last Picture Show director Peter Bogdanovich, who had Hollywood at his feet about a quarter-century ago, The Cat’s Meow is a textbook case of over-reaching ambition. Eminently missable stuff.
Having established himself with a number of juicy supporting roles – most of them opposite Russell Crowe – the very naturally blonde Paul Bettany is moving to centre court for Wimbledon.
Having parted company with Primal Scream, Kevin Shields has remixed two Bow Wow Wow tracks for Sofia Coppola’s latest blockbuster-in-the-making, Marie Antoinette.
Maggie Gyllenhaal has ridden out controversy and kept her private life to herself while carving out an impeccably cool career in Hollywood. No wonder all the girls fancy her.
With feelgood fables like Jerry McGuire and Almost Famous, Cameron Crowe has forged a reputation as one of the Good Guys of American cinema. His new film Elizabethtown does nothing to change that perception, no matter how much he protests. "I'm more caustic than you think," he tells Moviehouse.
It was the hottest ticket in Manhattan – and no wonder. With Goldfrapp, The Strokes, Carl Cox and Kanye West on the bill, this was a gig for people of impeccable taste – all the more so since it was brought together by Hennessy cognac.
Tara Brady talks to uber-hip actor - and scion of the Coppola clan - Jason Schwartzman about his latest film with cult director Wes Anderson, an adaptation of Roald Dahl’s The Fantastic Mr. Fox.
Music | Interview
40% | 27 Jul 2005
Colm O Hare
She’s been a rock icon, a tabloid sensation and a muse to Mick Jagger. But you won’t find Marianne Faithfull mooning over past glories.
Be prepared – indeed, be afraid – for Get Over It heralds the imminent resurrection of the rock musical (forthcoming summer attractions in a similar vein include A Knight’s Tale and Moulin Rouge).
For his latest astonishing trick, slacker deity and screenwriting wunderkind Charlie Kaufman (Being John Malkovich, Adaptation, Confessions of A Dangerous Mind, Human Nature) tackles the twisty, time-travelling, amnesiac romance with vaulting, overwhelming success.
In a highly revealing interview, Bloc Party frontman Kele Okereke talks about the inspiration behind one of the albums of the year, his current listening and the band's plans for the future.
In a remarkably honest interview, which directly preceded the death of his mother, Jonathan Rhys Meyers reflects on his spells in rehab and discusses life as one of Hollywood’s hottest young actors.
The future is here. Well, somehow it always is. And, as usual, it is both familiar and strange. Nothing seems to change, but one day you turn around, it is 1995, and you are cybersurfing on the internet, summer seems to last all winter, ambient-acid-techno is bubbling away on the radio, your fax machine shows up on the Antiques Roadshow and papa’s got a brand new drug.
